Broken
Broken, oil on treated board, 12 x 14 inches
Knockcroghrty
Knockcroghrty, oil on canvas, 30 x 40 cm
Sligo road
Sligo road, oil on treated board, 12 x 12 ins
Road to Athlone
Road to Athlone, oil on treated board, 12 x 12 ins
Stairway
Stairway, oil on treated board, 14 x 16 inches
Hidden
Hidden, oil on treated board, 24 x 40 cm
oil on canvas
oil on canvas, oil on canvas, 30 x 70 cm
Dame Street
Dame Street, oil on treated board, 14 x 32 ins
Conversation
Conversation, oil on board, 14 x 16 ins
Closed bar
Closed bar, oil on treated board, 14 x 16 ins
Barn
Barn, oil on treated board, 12 x 12 ins
Red Door
Red Door, oil on treated board, 24 x 10 cm
Galway Girl
Galway Girl, oil on box canvas, 12 x 16 ins
Box Man
Box Man, oil on box canvas, 60 x 45 cm
2016
2016, oil on canvas, 36 x 25 cm
Tribute to David
Tribute to David, oil on board, 30 40 cm
Tribute To Terry
Tribute To Terry, oil on canvas, 12 x 16
The Galway Musicians
The Galway Musicians, oil on box canvas, 16 x 20 ins
Prey
Prey, oil on canvas, 12 x 16 ins
Relaxing by The Shannon
Relaxing by The Shannon, oil on board, 16 x 20 ins
Space In Between
Space In Between, oil on canvas, 30 x 40 ins
Doorway
Doorway, oil on canvas, 20 x 30 ins
Apple
Apple, oil on canvas, 20 x 30 ins
Juggie
Juggie, oil on board, 16 x 20 ins
Departing
Departing, oil on canvas, 20 x 30 ins
Communion
Communion, oil on board, 16 x 20 ins
Be Back Soon
Be Back Soon, oil on board, 10 x 12 ins
Bluesman
Bluesman, oil on canvas, 12 x 16 ins
Balla
Balla, oil on canvas, 20 x 30 ins
Be
Be, oil on board, 40 x 40 cm
Bird in The and
Bird in The and, oil on board, 16 x 20 ins

Artist Therese Whelan Tierney, Dublin and Roscommon

Originally from Dublin,now living in Co Roscommon, I've always had a passion for art, particularly painting as it has always sparked my curiosity. After studying graphic art and design, I decided to take up painting full time, as i missed the texture, smell and the flow of paint.Recently I have been working on treated hard wood board, in sizes that suit my work best. I find the hardwood to be a more superior support then canvas because of its longevity.

I had a fascination for derelict buildings,exploring the theme I found imprints and evidence of years gone by.I feel working on the derelict buildings helped my art process and allowed my art process move on, now I'm painting my own journey,the places and people I see along the way.

I try convey a sense of mood in my work, because that is the first feeling I get, a sense of movement is also significant to signify how a moment in time is just that and rarely stays the same.

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